EDGE #61 THE RIFLE by George G Gilman

Is this the most expensive western ever?

It does make me wonder as there is a copy on Ebay which has reached £74 with a few more days to go and I know that in the past it has reached as much as £120. Whoever pays that much must be either a dedicated fan or something. Probably the 'or something'.

As far as I know there were not that many of these books printed although it was the one that finished the series.

The story itself concerns a Colt Hartford rifle that Edge believes has been stolen from Adam Steele (another George G Gilman creation). These two had met up in three previous books. What surprised me was that despite the coldness of Edge's character that he actually cared enough to find Adam Steele and return his rifle to him.

And how much did this book cost me? 10p in a charity shop. And no I'm not parting with it.

Childhood Education

Obviously I blame my parents for my childhood.
We lived in a house that was loaded with books, cassettes and videos. Later, of course, the cassettes and videos were replaced by CDs and DVDs.
As my dad said books are for reading not ornaments. So, when we were old enough, we were free to borrow books, listen to music or slide off into my bedroom and watch a film. Not the horrors but we had a choice of war, western, epic movies. All that was expected of us was that we returned what we borrowed in the same condition to the place that we took it from.
I remember once going to a boot fair and they had a load of comics like Spiderman, Incredible Hulk and Batman and when my younger brother and I couldn't make up our minds which ones we wanted Dad scooped up the lot. We went home with this black sack of comics and when we got home we counted them. We had about 150 of them with Flash, Green Lantern and Aquaman and loads more.
Dad showed us lots of things as well. How to fish, how to track and tell a badger's print from a fox but these were things that he had learned when he was in the Boy Scouts.
At school we learned the normal things like Maths, English and Science - dad taught us about the other things. Unlike school there was no pressure. If we read a book or watched a film then it was our choice to do that. Being able to have that choice meant that we able to form an opinion.
And, once in a while, when I take my young boys to bed I will read them a western story or make one up in my head for them.
Just like dad did for my older sisters, my younger brother and me.

THE TAINTED ARCHIVE and WILD WEST MONDAY

The Tainted Archive blog is urging people to write to or e-mail publishers urging them to take on more escapist fiction - preferably westerns. To my way of thinking is that if publishers like Penguin books can publish westerns in America then there is no reason why they shouldn't publish them worldwide.
So look out Penguin the kids are going to get on your case.
Support The Tainted Archive - and support Wild West Monday (the first Monday in June).

Talking of Remakes

Due for release this summer is 'The Taking Of Pelham 123' with John Travolta taking on the role played by Robert Shaw. The original was made in 1974 but I have never seen this film.

ON THE SUBJECT OF REMAKES

Reading around the blogs there seems to be some debate about remakes of certain films.
Is it a good thing or is it bad?
The first thing that occurs to me is about the audience that the remake is aimed at. I guess that with a western it would be for all generations.
The two westerns up for remakes are 'True Grit' and 'Butch Cassidy and the Sundance Kid'. They are films of their time and have a following.
A 'True Grit' filmed from 14 year old Mattie's side would attract a younger audience - but I'm not sure that the Coen Brothers are the right people to do it.
I never liked the Butch Cassidy film as it just felt like a couple of filmstars having a lot of fun which took away some of the excitement. Travolta and Cruise have the ability to bring out the fact that Cassidy and Sundance were outlaws and not heroes. In reality I expect more of the same.
I am in fact dead against remakes for the simple reason that a) it has been done and b) remakes rarely work.
Howard Hawks remade 'Rio Bravo' twice as 'El Dorado' and 'Rio Lobo'. Why? Neither of the remakes were as good as the first one.
I really enjoyed '3.10 To Yuma' with Russell Crowe and Christian Bale - until the final few minutes. I could not believe that Ben Wade would gun down his gang and then surrender. Why would he do that?
Someone lost the plot there.
Recently there was 'Death Race' which was pretty good. It was claimed that this was a remake of 'Death Race 2000'. I don't see the connection as they seem to be two different films.
Now Stephen Norrington who brought 'Blade' and 'The League Of Extraordinary Gentlemen' to the screen has bought the rights to James O'Barr's 'The Crow' and plans a remake of that. The original was made in 1994 with the late Brandon Lee.
And this is the point where I understand more about where the older generations are coming from. 'The Crow' is one of my generations' classics and there is no need for a remake.
As has been said before there is a lot of new material out there that could be filmed.
Though on the other hand would there be classics like 'The Magnificent Seven' and 'A Fistful Of Dollars' if they had not been remakes of two Japanese classics?
Like I say most remakes do not work. But some do. And those few have the right team behind them and have a fresh angle to them.

THE SAINT on dvd

I've read a few stories by Leslie Charteris featuring his hero Simon Templar alias The Saint. But being a little on the young side had never seen the Roger Moore tv series.
Now, thanks to a new part work video series I can.
The first two episodes 'The Talented Husband' and 'The Latin Touch' are available for £2.99.
This series was screened in the 1960s with the final episode shown in 1969.
Roger Moore went on to play James Bond and the first episode features the Bond girl Shirley Eaton (she's the one that ended up painted gold in 'Goldfinger'). She plays an insurance investigator who teams up with The Saint to prevent a rubbish theatre producer from killing off his third wife.
Great fun and well worth watching.
Also, I had a bit of fun buying this dvd set because it means that I've got to start watching 'The Bill'. I managed to walk on to the set of an episode that they were filming outside my local newsagent - just as 'the robber' was running out of the shop.

LAST TRAIN FROM GUN HILL (1959) on dvd

Last Train From Gun Hill opens pleasant enough but within minutes it descends into off screen violence as two wandering cowboys rape and kill an Indian woman. Only this is not just one of your ordinary Indian woman because she is the wife of the Town Marshall, Matt Morgan (played by Kirk Douglas).
Morgan is determined to bring the killer to justice but this turns a little complicated as it turns out that the killer is Rick Belden (played by Earl Holliman) the son of one of the big cattlemen Craig Belden (played by Anthony Quinn).
As the story goes along it is revealed that Craig Belden had once saved Morgan's life and from then on had become firm friends. While Morgan battles with friendship and a need for justice Belden shows that blood is thicker than friendship.There is no way that Belden is going to let Morgan take his son in.
Morgan gets his man and they have to hide up in town while they wait for the 9:00 pm train from Gun Hill.
Craig Belden does not give up but rides into town intent on rescuing his son. As far as Belden is concerned no one will be catching that Last Train From Gun Hill.
Kirk Douglas and Anthony Quinn work so well together that you can feel them battling with their own emotions.
Although the ending is tense and inevitable I felt a little let down as it was a similar ending to '3:10 To Yuma'.
Still the director John Sturges (who went on to direct 'The Magnificent Seven') did a good job with the material and kept the tension up helped by the music of Dmitri Tiomkin.
Still, it might be an old film but it is one of the good ones.